This page contains contemporaneous texts and images that respond to graveyard cultures of the eighteenth and nineteenth centuries–as well as information about the grave responses that appear on this page. Should you wish to contribute to this page, please visit the Become a Collaborator page.
Stereography, a form of three-dimensional photography, became popular in the late-nineteenth century.
The stereographs included here represent three different kinds of graveyard images:
1) Children visiting the grave of Hartley Coleridge
2) The gravesites of authors: Elizabeth Barrett Browning, Walter Scott, Robert Southey, and William Wordsworth
3) An anonymous gravestone
Stereographs documented acts of grave visitation, and were also a way that the graveyard cultures of the nineteenth century permeated the marketplace and the home. The different kinds of images included here indicate different aspects of nineteenth-century graveyard cultures and graveyard tourism.
All images on this page courtesy of Bruce Graver.